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Comic Books Cerebus the Aardvark is largely remembered only for this, thanks to creator Dave Sim's Creator Breakdown and later issues of the comic devolving into a lot of anti-feminist ranting. Countdown to Final Crisis was the followup to the well-received 52, meant to lead in to Grant Morrison's Final Crisis. However, Countdown was extremely slow-paced despite being a weekly book, the continuity between issues was almost nonexistent, the actual storylines were weak, and the story branched off into tie-in issues so often that many stories never finished within the book. It failed at its mission so thoroughly that Final Crisis ignored everything in the book, and everything was turned into Canon Discontinuity. The only reason for anyone to read it anymore is to see just how bad it really is. Heroes in Crisis had loads of this, even while it was coming out. With each issue, more people checked out the book just to see why it was so hated by everyone. What they found was a series full of padding, terrible handling of the topic of mental illness, and turning a beloved character into a mass murderer because of Executive Meddling. Marville would be completely forgotten if not for this fact. Written by then-president of Marvel Bill Jemas (who had essentially no comic writing experience before this) on a bet, it starts as an unfunny parody of the American media business in the early 00s, becomes an unfunny parody of superhero comics, then turns into a highly-inaccurate Author Tract on science, organized religion, and the story ends claiming to have solved world peace. The comic continues with a recap issue, which comes across as a Take That! at comic editors (when this comic itself clearly had Protection from Editors because of being written by the president of the company), and the series finally ends with a submission guide for Marvel's revival of the Epic Comics label, designed to give other creative voices the chance to publish for Marvel with similar creative freedom. That line ended after about a year and the only comic of note it produced was Trouble (Marvel Comics), another comic that fits this trope. In the end, all the comic accomplished was gaining the notoriety of being one of the worst comics ever made. Some of the later works of Frank Miller have little to recommend them except this trope: All-Star Batman & Robin, the Boy Wonder is an absolutely bizarre story where Batman kidnaps Dick Grayson Age Twelve, as soon as his parents are killed, forces him to live off of rats captured in the Batcave, calls him \"retarded\" for not knowing he's the \"goddamn Batman\" and \"queer\" for not liking the name \"Batmobile\", Black Canary is an Irish ninja who travels across the country to meet Batman because she idolizes him, the entire Justice League is made up of absolute idiots to show how much better Batman is than them, and it ends randomly in issue 10 (of the planned 12) because Schedule Slip just got too bad. And this is just scratching the surface of the problems with this book. Holy Terror is a book where a Captain Ersatz Batman and Catwoman take on Al-Qaeda, originally meant to be a parody/callback to World War II-era propaganda comics, but due to a combination of Frank Miller's Creator Breakdown and changes made during the Schedule Slip of the book (originally meant as a Batman story until either Miller changed his mind or DC told him they wouldn't publish it) turned it into the type of angry, racist story that it was supposed to be a parody of. Add in the absolutely bizarre artwork, terrible pacing, and the story completely losing touch with reality when suddenly Al-Qaeda starts to resemble the Illuminati, and there are few people will defend this book for anything but the Bile Fascination of reading it. Brian Michael Bendis only wrote Legion of Super-Heroes (2020) for roughly three years, but it quickly became the most critically lambasted version of the Legion to date. While veteran fans argued a fresh start was needed following years of retcons and reboots, it gradually became clear Bendis had little to no understanding of why people loved the Legion due to nonexistent character development, rambling dialog, plots that ended up going nowhere, and big amounts of racist subtext. By the end of Justice League Vs Legion of Super-Heroes, the only reason fans bother to look at any of the issues written by Bendis are to see if they really are as boring as people have been saying they are. Trouble (Marvel Comics) was Marvel's attempt at reviving 1950s romance comics... by focusing on the teenage sex lives of Peter Parker's parents and his Aunt May and Uncle Ben. The covers feature photos of possibly underage girls in bikinis giving suggestive looks to the readers, and the book inside is no better due to the flat and unlikeable characters. The story eventually takes a turn for the melodramatic, featuring a teen pregnancy plot, where abortion is considered and handled with all of the misaimed Darker and Edgier Black Comedy that Mark Millar is capable of, and reveals that Peter Parker is actually May's son, not Mary's, reaction to which veers from confusing (the timeline makes absolutely no sense) to the offensive (possibly implying May raising Peter means more because he's her biological child, not \"just\" her nephew by marriage). The Unfunnies: What is the book that so embraces Darker and Edgier Black Comedy that even Mark Millar has tried to pretend that it never happened

Video Games Action 52 is widely considered the worst game (Or compilation of games) of all time, and many people download the \"ROM\" or buy a copy of the game to see if it's that bad. Big Rigs: Over the Road Racing because it is considered one of the best examples (if not the best example) of an Obvious Beta. CrazyBus: This is the reason behind why the \"game\" is so popular in the first place despite being something someone bored could've coded up one lazy afternoon. It's a tech demo, a sample application provided with a third-party compiler toolchain and you're supposed to study the game's source code and learn how to program using the toolchain from there. And yet all people are after is the \"ROM\" generated by the compiler. And then there's its \"theme.\" Custer's Revenge for the Atari 2600: Despite having a very Audience-Alienating Premise where the player accumulates points by raping a Native American woman tied to a cactus while dodging arrow fire, the game still managed to sell a decent 80,000 copies approximately in its day, mostly because people first heard about it from the protests enacted by feminists and anti-racist activists, and were curious as to just how bad it really is. The general consensus reached, however, is that the game really is that bad, not only for its cringe-inducing premise but for its repetitively barebones gameplay, even by the standards of Atari 2600 games. The NES version of Ghostbusters. While the original Commodore 64 game, as well as the Atari 2600 and Sega Master System versions, were all considered decent games in their time, the NES version has earned itself an overwhelmingly negative reputation for an unfortunate combination of being difficult and boring, leaving curiosity as to just how bad it is as the only reason to play the game. The only positive thing that can be said about this version is the unintentionally hilarious \"Blind Idiot\" Translation that is its ending, which has become memetic.\"CONGLATURATION !!! YOU HAVE COMPLETED A GREAT GAME. AND PROOVED THE JUSTICE OF OUR CULTURE. NOW GO AND REST OUR HEROES !\" Ethnic Cleansing: If the name alone doesn't put you off then the details will. It's pretty much a video game adaptation of Racial Holy War, all the way down to the fact that it's an Obvious Beta. It was made by neo-Nazis and hammers its ideas home - for starters, blacks make monkey noises when you kill them. The Frontier: Hoo boy. This Fallout: New Vegas mod gets all its publicity and attention from the maelstrom of controversy that surrounds the game like a dense fog. Spectators to this disaster are treated to Unfortunate Implications, Canon Defilement, unsettling fetishistic undertones, poor writing, developer scandals and a behind-the-scenes civil war. Japanese fan demand lead to two unofficial remakes and a Nintendo Switch port of Hoshi wo Miru Hito. And let's just say that it isn't known as the \"densetsu no kusoge\", or \"legendary shitty game\", for nothing... The Last Resurrection is an indie RPG from the early 2000s, and it reeks of the early 2000s. From the poor spelling to the bad art style to the ham-fisted anti-Christian message, it's attracted an audience for being that bad. Jesus is a Card-Carrying Villain who leads the Nazis and wants to kill everybody. Yes, really. Michigan: Report From Hell: What keeps people coming back to this otherwise obscure game is its astonishingly bad voice-acting. Ninjabread Man: The only reason most people have any interest in this game. That and the title. The Atari 2600 version of Pac-Man: The Trope Codifier for Porting Disaster. Hilariously in Hindsight, the Atari 2600 ports of Ms. and Jr. Pac-Man were Polished Ports. Add the many re-releases of the original Arcade version on multiple platforms, as well as fan-favorite Pac-Man Championship Edition DX, and there's absolutely no reason to play Pac-Man on the Atari 2600 other than curiosity as to how bad it is. Paper Mario: Sticker Star: Given its reputation as the weakest Paper Mario, some have played just to see if Sticker Star is really that bad. Sonic the Hedgehog (2006): People who play this game today play it to see if it really is that bad. Nintendo Switch cartridges are very small and could present a choking hazard if a child put one in their mouth. To avoid this, they're sprayed with denatonium benzoate, a harmless chemical that tastes horribly bitter... which led to a brief fad, shortly after the system's initial release, of people licking Switch game cartridges just to see how bad it was. 59ce067264

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